The Latin title has a dual meaning: uncertain (art)work and a term for a Roman masonry where the wall consists of irregularly placed stones of different sizes and materials.

The piece can be divided into 9 “blocks” of material placed next to each other. Parts of these blocks are clearly linear and through the progress of the piece gradually reveal an underlying acceleration. Others are more sublime, fragmentary, atomized, grumbling, private and uncertain: intensely focusing on details.

The different blocks may also be heard as different types of time: “now-time” which is divided ad infinitum into something that has just happened and something that will happen, constantly flying in both directions simultaneously; “cyclic time”, filled with states and movements of objects; “material-bound time”, the temporality of the concrete figure. Sudden changes in structure, perspective and direction.

The work as a transition between solely imperfections.
The fragment attracts and promises something else.
Layers are laid over layers, “strata super strata”.