|Instrumentation:||flute (C/alto/piccolo), soprano saxophone, percussion, piano, cello|
|Premiere:||30 November 2014, La Caja, Vigo (Spain); Vertixe Sonora Ensemble|
|Duration:||approx. 15 minutes|
|Commissioned by:||Vertixe Sonora Ensemble|
|Score:||Buy score at BabelScores!|
“A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo. The tree is filiation, but the rhizome is alliance, uniquely alliance. The tree imposes the verb “to be,” but the fabric of the rhizome is the conjunction, “and. . . and.. . and. . .”
So far Deleuze. Subterranean passages of thought: that is what Deleuze and Guttari call a RHIZOME. It tests the intelligent capacity for finding beginnings. A labyrinth without beginning or end: “A non-hierarchic structure of concepts that propagates in all directions and invites to multiplicity.“
When I a few years ago read their book “A Thousand Plateaus” (“Mille plateaux”) I did it enthusiastically even though I may not have completely understood all of the ideas (some are even still quite difficult to understand). But at least some thought images have had a lasting impression. When I started this work I came to think about how their philosophical concept “Rhizome” has gradually become a way for me to think about structures in musical composition (form) and how these structures can communicate itself to listeners.
Rhizom is based on a “predefined book” of rhythmical structures, harmonic progressions and instrumental combinations. In order to try to adhere to the conception of Rhizome it is composed in a non-linear fashion.
Recording of the premiere with Vertixe Sonora Ensemble[soundcloud url=”https://api.soundcloud.com/tracks/185194068″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”250″ iframe=”true” /]
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